Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon, by James Campion, KISS
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Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon, by James Campion, KISS
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How does an underground oddity become a cultural phenomenon? For over 40 years, the rock band Kiss has galvanized the entertainment world with an unparalleled blitz of bravado, theatricality, and shameless merchandizing, garnering generations of loyally rabid fans. But if not for a few crucial months in late 1975 and early 1976, Kiss may have ended up nothing more than a footnote. Shout It Out Loud is a serious examination of the circumstance and serendipity that fused the creation of the band's seminal work, Destroyer including the band's arduous ascent to the unexpected smash hit, Alive!, the ensuing lawsuits between its management and its label, the pursuit of the hot, young producer, a grueling musical "boot camp," the wildly creative studio abandon, the origins behind an iconic cover, the era's most outlandish tour, and the unlikely string of hit singles. Extensive research from the period and insights into each song are enhanced by hundreds of archived materials and dozens of interviews surrounding the mid-'70s era Kiss and its zeitgeist. New interviews with major principals in the making of an outrageously imaginative rock classic animate this engaging tale.
Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon, by James Campion, KISS- Amazon Sales Rank: #105482 in Books
- Brand: Hal Leonard
- Published on: 2015-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .95" w x 6.00" l, .0 pounds
- Binding: Paperback
- 400 pages
Review ''If you are a hardcore KISS fan like myself, this book is a must, because there is not a stone unturned capturing this era of the band. What Shout It Out Loud does so well is it covers everything from the record jacket and cover to hearing from the people who worked on the artwork; the detail James Campion paid to this is really remarkable. The book is just phenomenal. It's a hell of a read.'' - Eddie Trunk (Trunk Nation Sirius XM/ Founder and co-host of VH1's That Metal Show) ''Shout it Out Loud by James Campion is more than a record of a moment in rock and roll history, it is a brilliant apprentice handbook on how to handle a rock-band, build a recording career, create a particular sound and all the necessary elements that are needed to do that. You are there in the studio, at the control board, fiddling with the amps, placing the microphones, hunting for a calliope, dealing with massive egos... And by the end you know exactly why he has a 382 page book, because that it what it takes to get it all down, every last nuance, every fact checked in the making of an iconic album. Just think of what Campion could do with Pet Sounds...'' - Sam Hawksmore, Hackwriters.com ''Shout It Out Loud begins as a forensic examination of KISS's Destroyer, but it ends up as more than a book about an album, KISS, or even the metal tributary of '70s rock. It's a testament to music, how it's engineered, and how social phenomena crystallize and snowball; it's about youth, collective archetypes, and tapping into them; it's about America the Disaffected, entertainment, pop culture, and escapism. And if you heard KISS growing up and still remember shrink-wrapped albums and cover art worthy of a wall, it's about you.'' - Vincent Czyz - Art Fuse Magazine ''The making of Destroyer reveals much about the band and its members. From the drinking and drug use of two members and the unexpected tea totaler to the songs that made it to the album, Campion writing and history will capture any fan's attention....Shout It Out Loud is an excellent look at the evolution of one of the most recognizable bands in rock history.'' --Evilcyclist's Blog''Author, James Campion, spoke to pretty much everyone involved in the production side of the album from Ezrin himself to engineers, managers and Ken Kelly; he cleverly puts multiple accounts of certain stories down which sometimes conflict but leaves it to the reader to decide who they want to believe. The coda of the book was that the album eventually became a massive hit (up to four million sold) and put KISS on the map for the next forty years. After digestion of this detailed and surely definitive book, the net impression was that nearly everyone came out of the 'Destroyer' sessions for the better.'' - Fireworks Magazine A detailed - and then some - account of the landmark album that ensured Kiss would be rocking and rolling for longer than just ''all nite.'' --Macomb Daily News''Campion's recounting of the Destroyer days...is rich and multi-voiced...Campion takes care to separate KISS as 'The Act' (his term) in image and career path to fame and fortune from the musical development of Destroyer, though they were always kissin' cousins. ''Destroyer is the indisputable KISS mission statement the realization of a dream,'' he writes in the book's foreword. ''[It] is '70s rock: loud, yes, and decadent, you bet, but mostly it is pompous, weird, and fantastical...It is a cartoon fantasy's parody of excess.'' And with Shout It Out Loud, current and former soldiers in the KISS Army can find out all they care to on the making of their masterpiece.'' --Houston Press
About the Author JAMES CAMPION (Northern New Jersey) is the managing editor of the Reality Check News and Information Desk, a contributing editor for the Aquarian Weekly, and a columnist for the Huffington Post. He has covered music, sports, and politics since the 1980s and has written extensively on pop culture and rock and roll for the past 18 years. He lives with his wife, Erin, daughter, Scarlet, three insane cats, and a gaggle of wild turkey. This is his sixth book.
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Most helpful customer reviews
8 of 9 people found the following review helpful. This book joins the pantheon of amazing KISS books. Highly recommended for casual and hardcore Kiss fans. By Benjamin Jones I have read 95% of the books on KISS, all the member bios, Kiss and Sell, Alive Forever, Nothing To Lose, and many more and I can honestly say that this book now joins Kiss and Sell and Kiss Alive Forever as the best Kiss books I have read. The writing immediately stood out as intelligent and the introduction describing the author as a 13 year old boy opening the vinyl of Destroyer was a phenomenal opening and sucks you from the very beginning. The book is exhaustive in its scope as he tackles not only the making of the album but it's cultural impact and how it was integral to Kiss becoming the global force it is today. He examines every aspect of the album from what microphones were used to how the radio PR guys at Casablanca made Beth into a hit single. On top of the book being extremely well written, the research into the book was obviously exhaustive. He was able to get interviews with the key players such as producer Bob Ezrin, engineers Jay Messina and Corky Stasisk, artist Ken Kelly and many more which is a testimonial to his skills as people like Ezrin don't give interviews to just anyone. I thought I knew everything there was to know about KISS but I learned a lot. The beginning of the book may be redundant for hardcore Kiss fans in which he brings readers up to speed on how Kiss formed and what led up to the making of Destroyer in 1976.I didn't know what to expect with this book but it blew away my expectations. I couldn't put the book down and it was easily the most intelligent take on Kiss I have ever read. For those that are interested not only in the music but about what Kiss symbolized culturally in the 70's and its lasting legacy, this book is for you. I can only hope that the author has plans for another Kiss book in the pipeline as I really enjoyed this. Highly recommended to not only Kiss fans but music fans in general.
4 of 4 people found the following review helpful. Not a Muisc From The Elder level flop...but a bit of a disappointment. By RB5150 For a book that was supposed to be about the recording of the Destroyer album, the author doesn't even get to talking about it until a hundred pages into it. There's plenty of background on KISS' first three albums and Alice Cooper.It's extremely annoying how the author keeps referring to the band as THE ACT throughout the book.Where many of the other reviewers praise the author's attention to details, I think he misses the mark as if he doesn't know who his audience is. For example, I was expecting to read more about the friction between Ace and Peter with Gene and Paul. About how Ace didn't end up playing on the Detroit Rock City solo. Instead I'm reading through what sounds like a technical manual from an engeer about mic placement and techniques, to the level of granularity where they are talking about microphone models. I don't really care if they were using Sony model mics that were retired.Though this is book about the recording of an album, unless you're a studio musician or trying to recreate the process on your own, you don't really need to hear about the engineers take on compression versus distortions, versus overdrive. The laymen can get the paragraph long version and be ok, reading about it for pages is overkill.
3 of 4 people found the following review helpful. One of the Best Books About Kiss Out There By Vincent Czyz I haven’t been a KISS fan for decades. It’s something that I left behind, probably with my cap and gown after graduating from college. I still enjoy hearing the occasional KISS tune on the radio, but I no longer have any of the albums I bought (vinyl of course), and I only have three or four of their later hits (e.g., “Heaven’s on Fire”) on my MP3. So I wasn’t expecting much when I picked up “Shout it Out Loud.” To say I was “pleasantly surprised” is a serious understatement. This is one of the best pieces of music journalism I’ve come across—easily better, for example, than Dave Marsh’s Springsteen bio, “Born to Run” (I am still a Springsteen fan). Yes, everything a KISS fan could want surrounding the band and the making of the Destroyer album is in Campion’s book, but there’s much more. Campion is a hands-on writer whose sentences reflect the energy of the music and capture the mood of the ’70s. He covers the band’s beginnings and the alchemical reactions between the members. He takes you behind the scenes, and he quotes just about everybody involved—PR guys, Casablanca execs, sound engineers, DJs, production wizard Bob Ezrin, other music critics, even the guy who came up with the title for the album. Along the way, we get nonstop drama—Hollywoodesque but all the better because it’s actual history—of how two guys (Paul Stanley and Gene Simmons) playing for loose change on a corner in Greenwich Village put together one of the most successful rock bands of all time. What I particularly love is that Campion is an apt cultural commentator and analyst. He makes incisive observations about the music itself, the ’70s, the industry, American culture, capitalism, e.g.: “At its artistic root,” he writes, “[KISS] was a postmodern Howitzer blast through the heart of 1960s existentialism. […] This was shameless exhibitionism.” And Campion has a journalist’s nose for a story. There are half a dozen sidebars in here that I found riveting, such as how Kim Fowler got two songs onto Destroyer; how Ken Kelly, a comic-book cover artist and nephew of legendary fantasy artist Frank Frazetta, got the nod to do the cover; how Alice Cooper impacted rock music, pop culture, and KISS itself. In other words, this book goes much deeper than the making of the Destroyer album or of an iconic rock band; it’s a work of cultural commentary that reminds me in certain respects of Greil Marcus’s “Lipstick Traces”—and that’s about the highest compliment I can give a book written by a music critic.
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