Judy & Liza & Robert & Freddie & David & Sue & Me...: A Memoir, by Stevie Phillips
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Judy & Liza & Robert & Freddie & David & Sue & Me...: A Memoir, by Stevie Phillips
Best Ebook PDF Judy & Liza & Robert & Freddie & David & Sue & Me...: A Memoir, by Stevie Phillips
No star burned more ferociously than Judy Garland. And nobody witnessed Garland's fierce talent at closer range than Stevie Phillips. During the Mad Men era, Stevie Philips was a young woman muscling her way into the manscape of Manhattan's glittering office towers. After a stint as a secretary, she began working for Freddie Fields and David Begelman at Music Corporation of America (MCA) under the glare of legendary über-agent Lew Wasserman. When MCA blew apart, Fields and Begelman created Creative Management Associates (CMA), and Stevie went along. Fields convinced Garland to come on board, and Stevie became, as she puts it, "Garland's shadow," putting out fires-figurative and literal-in order to get her to the next concert in the next down-and-out town. Philips paints a portrait of Garland at the bitter end and although it was at times a nightmare, Philips says, "She became my teacher," showing her "how to" and "how not to" live.Stevie also represented Garland's fiercely talented daughter, Liza Minnelli, as well as Robert Redford, Paul Newman, Henry Fonda, George Roy Hill, Bob Fosse, Cat Stevens, and David Bowie. She produced both films and Broadway shows and counted her colleague, the legendary agent Sue Mengers, among her closest confidantes. Now Stevie Phillips reveals all in Judy & Liza & Robert & Freddie & David & Sue & Me..., a tough-talking memoir by a woman who worked with some of the biggest names in show business. It's a helluva ride.
Judy & Liza & Robert & Freddie & David & Sue & Me...: A Memoir, by Stevie Phillips- Amazon Sales Rank: #390825 in Books
- Brand: Phillips, Stevie
- Published on: 2015-06-02
- Released on: 2015-06-02
- Original language: English
- Number of items: 1
- Dimensions: 9.48" h x 1.08" w x 6.35" l, .0 pounds
- Binding: Hardcover
- 288 pages
Review “Phillips' voice is tough and smart, just as she was...the hopeful, smart ending teaches much about humans, stars or not.” ―Booklist
About the Author STEVIE PHILLIPS, author of Judy & Liza & Robert & Freddie & David & Sue & Me..., began her career traveling with Judy Garland on the way to becoming head of the theater and the motion picture departments of CMA (now International Creative Management) in New York. As an agent, she represented film stars, directors, and musicians of the first order and was involved with multiple award-winning theater productions-among them, Doonesbury, Loose Ends, The Best Little Whorehouse in Texas, Nuts, and Open Admissions-and film productions. She lives in New York City.
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45 of 50 people found the following review helpful. A small, skewed piece of the story By Joe Hamilton It doesn't surprise me that a memoir about Judy in the early sixties, as told by someone "who was there", is loaded with pills and wine. It doesn't surprise me that Garland was emotional, needy, and mercurial. What does surprise me, is how unkind she comes across and how ungenerous. Whatever I've read about Garland's neediness, it's always been coupled with the fact that her generosity was equal to her need. So many people have spoken about what a giving stage partner she was, a giving friend, thoughtful to her fans, and her staff. Incidentally, her household staff, her chorus dancers, and collaborators which could certainly tell tales, have proven to be fiercely loyal to her.So why does Stevie Phillips lack this loyalty? Why does she speak of such callous treatment from Garland? I was confused. First, let's assume that what she says is factually true, as much as 40 year old memories can be; skewed, somewhat callous, and definitely biased, but true. Well, think of Stevie from Garland's perspective.Stevie Phillips was not Garland's Agent (responsible for booking Garland, promoting her, negotiating her appearances) in spite of what some of the press has claimed. She was not her personal assistant (someone Garland hired, whom she trusted and depended on to help with her daily life) as has also been claimed. She was a hired hand from Garland's talent agency making sure she got to her appointments. She was someone who served, and reported stories back to CMA. Surely the agency's very desire for someone to keep her on track, and the fact that they didn't care to do it themselves would stir up resentment. Phillips was forced upon Garland, and even if she eventually came to depend upon her and confide in her, there was never any forgetting that she couldn't be trusted. In short, to Garland, she was a spy who might play at being on her side, but was using her just like everyone else. And she did use Garland. Ms. Phillips admits to it. She saw terrible abuse, misuse, thieving, and stood by, let it happen to Garland, and protected herself. She was naive, didn't like Garland as a person, no matter how much she loved her as a performer (Phillips is effusive in her praise for Garland's talent), and in truth, nothing she could have done would probably have done much good, partial because it seems Garland had very little respect for Phillips, and because Garland may very well have been beyond saving at this point.I can see this portrait as one small piece of who Garland was, and leave it at that. Interestingly enough, there is not an ounce of kindness to Phillips mentioned in this memoir from Garland. Selective memory? Certainly. It doesn't serve her narrative, and Phillips IS crafting a narrative here. So if something doesn't fit in with the picture she's trying to paint??? Leave it out. The reader is, after all, reading the account of someone who wants to set the record straight and have her say after a long silence. Stories of kindness would just muddy the waters.The picture of Liza seems much closer to capital T truth. Of course, there's a much different context here. Phillips WAS Minnelli's agent, and she served her when she was on the way up, and could take partial credit in her rise. Phillips describes a girl who is guileless, naive, socially awkward, loved by her mother but barely parented, and loaded with talent.Is it a page turner? Yes. Is it jaded and self serving? Yes, but all memoirs are self serving and prone to selective recollections. What I ultimately grew exhausted with was all the negativity. Not just in what was done to Phillips, but the negativity in her view of people, her intepretations of their motives, and her vindictiveness. Hollywood will do that to you, I suppose.
23 of 29 people found the following review helpful. Devastingly Good By Dale C. Fuqua What is so great about this book is that, as each deadly detail of Garland's degeneration into near madness and mean behavior is recounted, you don't want any of them, let alone all of them, to be true, and neither did--nor does--the author who was experiencing them, which is actually a major sub-theme of the book.While other biographies and articles have recounted episodes of extremely erractic behavior, the stories were usually redeemed insome way: Garland snapping out of it, bursting into laughter at the aburudity of herself, beaming charm, etc. There really is not much of that here, and she ends up not liking this woman, yet not wanting to not like this woman. Like so many of us from that era, she was a fan somehow thrust into being the person accompanying the star during during the cross-country concert tours which ultimately led to the celebrated Judy at Carnegie Hall.An ill-fated attempt for the two women to go yachting in the Caribbean is told in nightmarish detail replete with near swamping and losing-at-sea of the craft, unstoppable screaming and self mutilation by JG, this is not to be missed.I had never quite understood why Liza Minnelli went up and then not really anywhere in her movie career, but I do now after reading this book.Further encounter with other celebrities make extremely interesting. I particulary enjoyed reading about Al Pacino as a then-unknown off-broadway actor.Throughout, Stevie Phillips is unrelenting in looking back at her own youthful stupidity and selfishness in wanting to be anagent, her own part in chasing away good men and ending up with creeps for husbands and the subesquent divorces. It is not apretty picture of show business at all, which of course makes it just about un-put-able-downable.
12 of 14 people found the following review helpful. Bitter harvest By alexis Memoirs are one of my favourite forms of literature,so I was very disappointed with this one.The author is so bitter,so unforgiving and so downright nasty.She seems to have a huge chip on her shoulder, and I began to doubt her and wonder if she was a reliable witness to the events she relates.In fact,I came to actively dislike her.Not recommended.
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